Wedding Influencer Given A Reality Check After Calling Out Guests For Ignoring Her Big Moment

Everybridedreams of a grand entrance.

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But forCasey James, her big main character moment was ruined because her guests couldn’t take their eyes off their plates.

“And the crowd goes mild,” one netizen commented on the embarrassing video.

Casey James dreamed of a grand entrance at her wedding but was sorely disappointed

Image credits:caseyjamess_

Australian model and entrepreneur Casey James had herfairy-tale weddingwith Sydney socialite Warren Ginsberg in March.

Since then, she has been sharing videos and pictures of her special day with fans.

One particular video piqued many viewers’ interest, as it captured her guests’ reaction to her “second look” of the evening.

Image credits:caseyjamess_

The Copini Beauty founder expected to be welcomed with loud cheers and applause.

But the big reveal turned out to be an utter flop.

“When you come down in your second look and get two claps,” read thetext in her video.

Her husband and a couple of others seemed to notice that the bride had walked in

Image credits:caseyjamess_

Thankfully, her groom was ready and available to greet her, while a few waiters also joined in with supportive claps.

“All I’ve ever wanted from my favorite people,” the Sydney-based influencer jibed in her caption.

Viewers were sharply divided in the comments section, with some rolling their eyesat yet another “performative” wedding moment.

“People just come for food and booze,” one bluntly said, while another suggested, “Maybe try to just enjoy life.”

“You’re also walking into what looks like the buffet table, what did you expect a grand entrance to chicken tenders,” said another.

One asked, “Why does it have to be a show?”

“Weddings are so performative,” another declared.

Netizens were divided in the comments section of her TikTok video

Image credits:caseyjamess_

Others rallied behind her, calling it a painfully relatable moment.

“Legit this is how I feel like my life is… haters everywhere,” one said.

Another said the bride and groom may have “Invited the wrong people.”

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“At least the main one was there to clap for you,” read one comment.

Image credits:caseyjamess_

Another viewer said, “These guest dont deserve you ! Im clapping for you queen.”

Others blamed the logistics, saying, “They need to announce you.”

“Same thing happened to me,” said another. “I walked into a nearly empty room and it was so awk. people complimented it throughout the night but there was literally NO moment when i walked in.”

“It’s YOUR biggest day of your life and it’s just a regular day to everybody else,” read one comment online

Image credits:caseyjamess_

Etiquette expert Kate Heussler agreed that the event should have had better logistics to accommodate all ofCasey’s big, dreamy wedding moments.

“Guests are not mind readers. If you want a cinematic entrance, it needs to be cued properly by the bridesmaids, MC, DJ or wedding planner,” she toldnews.com.au.

“Otherwise, people are chatting, eating, drinking, facing the wrong direction or simply unaware that this is meant to be a moment.”

Image credits:caseyjamess_

The expert further said that there was nothing “narcissistic” about Caseywanting all eyes on herwhen she walked in.

“Wanting to feel celebrated at your own wedding is not narcissism – it’s very human,” she said.

Kate noted that couples often put a large portion of their hard-earned money into their wedding, along with plenty of emotional labor and planning, to create a “beautiful day” for themselves and their guests.

So, “if a bride has planned a second look, it’s completely understandable that she’d hope people notice it,” she added.

An expert spoke about whether Casey seemed “narcissistic” for wanting all eyes on her when she walked in

Image credits:caseyjamess_

Warren and Casey met at a party in Sydney in 2019.

“You could say we fell hard for each other from day one,” the newlywed bridepreviouslysaid.

They dated for a couple of years before a year-long split when Casey moved abroad for her modeling career.

“My nana is the main reason we found our way back to each other as her and Warren stayed in touch throughout the year, we were broken up,” she recalled.

Warren proposed to her last year in Palm Beach, Australia, the same place where they had their wedding.

Casey spoke about the vision she had for her wedding dress, saying she wanted a classic, well-fitted, and timeless design.

She wore a KYHA-designed dress and a veil, embroidered with a special message.

“I had it custom embroidered with the words ‘Mumma, forever by my side’ as she was not physically with us on the day, but as an ode to her,” she said.

“I think you need to get married again,” one netizen commented on her video

Wedding Influencer Given A Reality Check After Calling Out Guests For Ignoring Her Big Moment

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Donald Trump approval ratings today

Here's latest data:

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Dua Lipa sues Samsung for using her face to sell TVs

Dua Lipa is suing Samsung after the tech company allegedly used her face to sell televisions without her permission.

The Telegraph Dua Lipa

The singer has demanded £11m after her photograph was used on the packaging for a £300 television sold bythe South Korean company.

Lipa has said she has the rights to the picture, used on the packaging for the Crystal 43in ultra-high-definitiontelevisionsets to promote Samsung’s XITE Hits music channel, which was taken backstage at a 2024 festival.

Lipa claimed the photo had appeared on a “significant portion” of the televisions sold in the US, and that her fans had bought the televisions with the impression that she had endorsed them, legal paperwork obtained by The Sun shows.

The packaging of the Crystal 43in ultra-high-definition television sets with Dua Lipa's face on it

The lawsuitincludes allegations of copyright infringement, trademark infringement and misappropriation ofLipa’slikeness and image.

Lipa, 30, is demanding $15m (£11m) in the filing, made in the Central District of California federal court.

She also claimed Samsung ignored “repeated demands” from her legal team to “cease and desist from infringing on her rights”.

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Christine Lepera, the singer’s lawyer, wrote: “Samsung used a copyrighted image of Ms Lipa without authority or licence and prominently featured it on the front of boxes containing Samsung-manufactured televisions for retail sale.

“The substantial revenue made on the sale is inextricably tied to the false message conveyed to consumers that Ms Lipa has endorsed the infringing products when she has not.”

‘Highly selective’ with partnerships

The television, which ended up being known on social media as the “Dua Lipa TV Box” by the singer’s fans, was first brought to Lipa’s attention in June 2025, the lawsuit states.

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Ms Lepera added that Lipa – who is the face of Nespresso and Yves Saint Laurent’s beauty products, as well as partnerships with Porsche and Puma – would not have agreed a Samsung deal anyway as she is “highly selective in her commercial partnerships”.

The Telegraph has approached Samsung and Lipa’s agency and legal team for comment.

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17 Epic ’70s Concerts That Changed Music Forever

Before streaming and algorithm-driven discovery, there was the sheer electricity of a live show to shift culture. The 1970s saw concerts turn into landmarks for fans and for music itself. Artists experimented with stagecraft, sound, and scale, altering how concerts were planned, filmed, and remembered.

Family Minded

These shows left behind new expectations, bigger risks, and moments no one else could replicate.

The Who – University of Leeds Refectory, England – February 14, 1970

Credit: Reddit

In search of a clean live recording, The Who scrapped earlier tour tapes and recorded this concert. The setup was minimal, with no crowd mics and a tight setlist focused on earlier singles. Live at Leeds became a respected live rock album that influenced how later bands approached recording live performances.

David Bowie – Hammersmith Odeon, London – July 3, 1973

Credit: Facebook

The event marked the end of Bowie’s Ziggy Stardust persona. Without advance notice, he told the audience it was the final performance. Many thought he was quitting music entirely. Instead, it was a deliberate break from one of rock’s most iconic characters.

Led Zeppelin – Madison Square Garden, New York – July 1973

Credit: Reddit

Before this concert run, Zeppelin had already redefined what arock bandcould look like at scale. By 1973, they had released five albums, each pushing blues-rock toward heavier, more experimental territory. Their New York shows, captured in The Song Remains the Same, showed the high-stakes nature of their live reputation.

Pink Floyd – Amphitheatre of Pompeii, Italy – October 1971

Credit: Reddit

Without an audience, Pink Floyd performed inside the ruins of Pompeii. The film emphasized setting and sound by presenting the band in an experimental format. The extended instrumentals and sparse visuals portrayed the group’s interest in ambient and space-driven music.

Allman Brothers Band – Fillmore East, New York – March 1971

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By 1971, the Allman Brothers had earned a following, but At Fillmore East is what placed them permanently in the conversation. Duane Allman’s guitar work, especially on “Whipping Post” and “In Memory of Elizabeth Reed,” was central to the band’s identity. Meanwhile, the rest of the band left room for the music to evolve naturally without forcing transitions.

Queen – Hammersmith Odeon, London – December 24, 1975

Credit: Facebook

Queen’s rise was carefully orchestrated but powered by their ability to deliver live. Around the time this televised concert aired, they had already moved beyond “Killer Queen” and were heading toward more complex arrangements. Freddie Mercury’s control over both voice and stage was undeniable.

Grateful Dead – Watkins Glen, New York – July 28, 1973

Credit: Reddit

Drawing an audience of over 600,000, this event became one of the largest concert gatherings. The Grateful Dead’s approach remained unchanged despite the scale: greater improvisation, fluid transitions, and a lack of scripted structure. The performance proved that large-scale concerts didn’t require polished delivery to maintain engagement.

The Rolling Stones – Madison Square Garden, New York – July 26, 1972

Credit: Facebook

The Stones had entered a new phase with Exile on Main St., and this tour showed that shift. Their MSG set, which landed on Jagger’s birthday, combined grit with sharp delivery. The guitars, Richards and Taylor, were the anchor. Songs like “Tumbling Dice” and “Happy” hit harder live. The group’s control didn’t waver even with confetti and cake flying.

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Grateful Dead – Veneta, Oregon – August 27, 1972

Credit: Reddit

Later released as Sunshine Daydream, this outdoor show was recorded during high summer heat. The Dead maintained consistency through three extended sets, featuring material spanning their early folk-rock period. This show is often recommended to newcomers because it shows the band in its element: less structured, but highly attentive to musical interplay.

Van Morrison – Rainbow Theatre, London – July 24, 1973

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Prior to 1973, Van Morrison's career had already moved through garage rock, jazz, and folk. With the Caledonia Soul Orchestra, he built an elaborate live sound. The concert drew from Moondance and Saint Dominic’s Preview, but “Cyprus Avenue” defined the night. The Rainbow performance captured a version of Morrison that balanced emotional improvisation with technical discipline.

Neil Young – The Bottom Line, New York – May 16, 1974

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Young’s appearance was unannounced, and most of the material was unreleased then. The performance offered insight into upcoming albums and songwriting themes. While not recorded officially, it became widely circulated through bootlegs and is frequently cited as a revealing moment in his solo career.

Bruce Springsteen – Capitol Theatre, New Jersey – September 19, 1978

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Broadcast across multiple radio stations, this concert documented Springsteen’s Darkness on the Edge of Town tour with particular clarity. “Prove It All Night” featured a long instrumental introduction demonstrating the E Street Band’s control over pacing and intensity.

Ramones – Rainbow Theatre, London – December 31, 1977

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The Ramones’ set consisted of short, fast-paced songs delivered without interruption. Songs like “Blitzkrieg Bop” and “I Wanna Be Well” landed in under two minutes, one after the other. And this Rainbow Theatre show was later released as It’s Alive, and the recording remains a high-speed record of the band’s most effective live format.

Little Feat – Rainbow Theatre, London – August 2, 1977

Credit: IMDb

Little Feat always existed somewhere between genres, blues, funk, country, and they rarely played the same song the same way twice. With Mick Taylor guesting and Tower of Power horns in the mix, “Dixie Chicken” and “Fat Man in the Bathtub” became open jam sessions.

Bob Dylan – Hughes Stadium, Colorado – May 23, 1976

Credit: Reddit

The Rolling Thunder Revue allowed him to reinterpret songs with a looser, more ragged style. At this Colorado show, later used for Hard Rain, “Idiot Wind” carried greater edge than its studio version. The sound was rough, andBob Dylanembraced the change.

The Band – Winterland Ballroom, San Francisco – November 25, 1976

Credit: Wikimedia Commons

On Thanksgiving night in 1976, The Band’s farewell concert, The Last Waltz, took place at Winterland Ballroom. With guest stars like Bob Dylan, Neil Young, and Joni Mitchell, the iconic performance became a landmark in rock history. It was later immortalized in Martin Scorsese’s film.

S*x Pistols – Lesser Free Trade Hall, Manchester – June 4, 1976

Credit: Wikimedia Commons

The S*x Pistols’ infamous 1976 gig at Manchester’s Lesser Free Trade Hall was attended by just a handful of fans, but its influence was monumental. This raw performance sparked the British punk scene, inspiring future bands like Buzzcocks and Joy Division. The show changed music forever.

17 Epic ’70s Concerts That Changed Music Forever

Before streaming and algorithm-driven discovery, there was the sheer electricity of a live show to shift culture. The 1970s saw concert...

 

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