Category 1

Trans Activist Alexandra Billings Gets Emotional as She Recalls Eric Dane's 'Brave' Act on

Actress and trans activist Alexandra Billings recalled a key moment working with Eric Dane on Grey's Anatomy

People Alexandra Billings; Eric DaneCredit: Matt Winkelmeyer/Getty; VALERIE MACON/AFP via Getty

NEED TO KNOW

  • Even though they didn't know each other well, she said that how he treated her exemplified the kind of person he was

  • "Eric Dane showed everyone on that set what a true ally looks like," she said on Instagram the day after the actor died at age 53

Actress and trans activist Alexandra Billings shared an emotional memory of working with Eric Dane onGrey's Anatomyfollowing the actor's death at age 53.

TheTransparentactress, 63, fought back tears as she recalled Dane's meaningful act of allyship on the set of the drama series in a video posted toInstagramon Feb. 20, the day after hedied of complications from amyotrophic lateral sclerosis (ALS), a.k.a. Lou Gehrig's disease.

Billings was cast as Donna Gibson, a trans woman navigating a breast cancer diagnosis while transitioning, during season 3 of the ABC show. While she noted that she doesn't remember "everything" about filming the episode and that Dane was "not a personal friend," she still felt the "story matters because it speaks to his character."

"I got the role onGrey's Anatomy, which was shocking to me. I hadn't done a lot of television, and I was floored. This was 2006," she explained. "Now, 20 years ago, the landscape for transgender performers in Hollywood was the Sahara Desert; it was nonexistent."

When she got the script, she remembered thinking, "'Did a trans person write this?' Because the character was so honest and so true."

Billings explained that in the episode, titled "Where the Boys Are," her character was "dying," as her "hormones were causing breast cancer" and if she continued using them, she would most likely die. The alternate option was to stop using the hormones so doctors could treat her with a higher chance of success.

Her character had a "huge monologue" in the episode, which Billings noted was "incredible" and beautifully written. Despite memorizing the scene, Billings said she was "terrified" and "nervous" when she got to set that day.

"I meet Eric, who is lovely, and we do our first scene together," she recalled. "The first scene is Eric and my character, Donna, explaining to Ellen [Pompeo], and he's misgendering me a little bit, and we have this great little back-and-forth scene. We do it a couple of times, and the director says, 'Cut.' "

It was then that Dane, who portrayed Dr. Mark Sloan on the show, turned to Billings and asked about her own real-life experience transitioning in the '80s.

"Eric turns to me between takes and says, 'Alex, listen, what happened between you and your doctor when you talked to him about hormones and treatment? What transpired?' "

Alexandra Billings and Eric Dane in 'Grey's Anatomy'Credit: Hulu

Billings, aware that "this is television" and they "don't have time" to waste, was hesitant to open up, fearing that she just needed to "say [her] lines" and keep it moving.

Sensing her hesitancy, Dane told her, " 'It's okay, I really want to know.' "

"The entire set stops and listens to me because of Eric. Again, this was 20 years ago," Billings recalled. "I say, 'Well, I began my transition in 1980, and back then, it was illegal.' His eyes got really wide, and he said, 'You're kidding.' I said 'No. You couldn't walk down the streets of Chicago if you were transgender, and I spent some time in jail because I was walking down the street. You had to have two articles of what they called male clothing on, or they would haul you off. ' "

She then told him about her doctor, explaining how the medical professional showed quiet yet powerful support, emphasizing that "it wasn't so much the conversations, it was his demeanor."

"Dane said, 'What do you mean?' ... and I said, 'Being a transgender human at that time was unheard of. We didn't know where any of us were ... We were really alone, and [my doctor] would take my hand or touch my knee, or hold me and let me know hesawme, no matter what we were talking about. It was less important about the hormones and much more important about how he treated me.' "

Advertisement

When they filmed the scene again, Dane's demeanor changed.

"We start the scene again and as we are talking, Eric puts his hand on my shoulder, and then we do another take and Eric puts his hand right on my thigh or my knee," she recalled, growing emotional. "And then at the end of the scene, he takes my hand —this isn't in the script — he holds my hand, and I put my hand on top of his."

"I know how mundane this sounds, but back then, it changedeverythingfor me. This compassionate, kind, brave human being changed everything for me," Billings confessed through tears.

When it was time for Billings to perform her "page-and-a-half" monologue, however, the director kindly told her they would have to cut it for time.

Although Billings was "destroyed" on the inside, she told him it was okay, but Dane knew it was important to her and the entire trans community.

Eric Dane in 'Grey's Anatomy'Credit: Scott Garfield/Disney via getty

"Eric, he is sitting on a chair, and we're very close together. I'm sitting on a couch, and we're facing each other in this scene," she remembered. "And Eric puts his hand up and he turns to me and he says very quietly, 'What are the five most important things you say in that monologue?' "

When she tried to tell him it was fine, he simply repeated the question. When she finally told him, Dane suggested they do a condensed version of the scene, hitting the most important parts of the monologue while improvising the rest to cut down on time.

"And that's what you see in the episode," Billings said. "Let me tell you why this is so important that you know this about this man: He didn't have to do that."

"There was no reason in the world for him to do that. It didn't have anything to do withhim. He was concerned that the trans story was told from an honest and true place so that other trans people could see themselves reflected in this story. That's why he did what he did."

She noted that "time is money, especially in television," and he "didn't have to do that" but knew it was the right thing.

Billings went on to say that Dane was "one of the kindest, most empathetic humans I think I've ever worked with."

The actress noted that she "could count on one hand" the number of times she left a set feeling truly moved, and that "extraordinary" moment with Dane was one of them.

"Eric Dane showed everyone on that set what a true ally looks like. It's not just talk. It's not just speeches. It's not even just benefits or writing a check or talking to your neighbors — it is those things, but it's notjustthose things."

"An ally takes action. An ally creates change. An ally is present, even when there's danger in them being present and that's what Eric Dane did," she said through tears.

"I didn't know him, but I absolutelyknewhim. He will be missed," she concluded. "Thank you, Eric. Thank you, from all of us."

Read the original article onPeople

Trans Activist Alexandra Billings Gets Emotional as She Recalls Eric Dane's 'Brave' Act on “Grey's Anatomy ”Set

Actress and trans activist Alexandra Billings recalled a key moment working with Eric Dane on Grey's Anatomy ...

Bridgerton star Yerin Ha opens up about representing the Asian community as Sophie in the fourth season of the Netflix drama

People Yerin Ha attends Gold House's Lunar New Year Celebration in New York City in February 2026Credit: Noam Galai/Getty

NEED TO KNOW

  • "We deserve these roles and spaces," Ha told PEOPLE at the Lunar New Year Gold Celebration on Wednesday, Feb. 12

  • Bridgerton season 4 is available to stream on Netflix

Bridgerton'sYerin Hais speaking out about the importance of Asian representation.

Ha, 28, shared what it means to her to represent the Asian community in Netflix's beloved drama while speaking exclusively to PEOPLE at the Lunar New Year Gold Celebration hosted by Gold House in New York City on Wednesday, Feb. 12. TheBridgertonstar plays Sophie Baek, a maid who attends a masquerade ball and catches the eye of Benedict Bridgerton, in theseries fourth season.

"It's been really, really amazing and beautiful," Ha shares of being a part of the series' latest season. "I've been really caught up with a press tour, it has been really positive."

"I just feel so proud that I get to be the face of that and keep advocating for change and knowing that we deserve these roles and spaces," she adds.

Yerin Ha at Sirius XM Studios in New York City in February 2026Credit: Gary Gershoff/Getty

Never miss a story — sign up forPEOPLE's free daily newsletterto stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories.

The fourth season ofBridgertonsees Sophie navigate class disparities and identity as her character falls in love with the wealthy Benedict, played byLuke Thompson. After meeting Sophie at the masquerade ball as the Lady in Silver, Benedict sets out on a quest to find the mystery woman.

For the Australian actress, working on the show has been filled with fun memories. "We just have fun every day," Ha says. "It was always a laugh on set, and everyone's a good time and a good chat."

Advertisement

Yerin Ha as Sophie Baek in 'Bridgerton' season 4Credit: Liam Daniel/Netflix

In an October 2024 interview withShondaland, Ha revealed the moment she discovered she landed the lead role in season 4. While she was having breakfast with her mom at a cafe in Korea, she received a phone call.

"She came out crying, and then after the phone call, she was like, 'We gotta go home. I think I have indigestion,' and so we left," Ha said. "It was really beautiful to kind of, I guess share that moment with her."

However, when Ha readAn Offer from a Gentleman, the book inJulia Quinn's series that follows Benedict's love story, the nerves set in. In her JanuaryInStylecover story, the actress revealed that the intimacy scenes between Benedict and Sophie made her nervous.

"Being a woman in this industry, it's a massive thing. People think that they have the right to talk about your body, how you look, and your external appearance," Ha said. "I've dealt with body image and that shame for a very, very long time — and I'm still working through it."

She continued, "But what's been really nice about Sophie is she's taught me a lot about self-love and self-acceptance. I'm still working on accepting myself for my entirety and being happy with who I am. In a world where we strive for perfection, what does that look like?"

Bridgertonseason 4 is available to stream on Netflix.

Read the original article onPeople

“Bridgerton” Star Yerin Ha Opens Up About Representing the Asian Community in Netflix Hit: 'We Deserve These Spaces' (Exclusive)

Bridgerton star Yerin Ha opens up about representing the Asian community as Sophie in the fourth season of the Netflix ...
Vatican removes salty white film coating Michelangelo's 'The Last Judgment'

VATICAN CITY (AP) —Michelangelo's "The Last Judgement"is getting a facial, with restorers removing a chalky white film of salt that has accumulated over the Renaissance masterpiece since its last major renovation three decades ago.

Associated Press A screen with a replica of A screen with a replica of A woman walks behind a screen with a replica of A man walks behind a screen with a replica of A screen with a replica of Journalists report in front of a screen with a replica of

Vatican The Last Judgement

The Vatican on Saturday gave the media a sneak peak to the cleaning operation, which is taking place on a floor-to-ceiling scaffolding that has obscured the imposing fresco of heaven and hell that dominates the front of the chapel.

The cleaning operation is expected to be completed by Easter, in the first week of April. The public can continue to visit in the meantime, but will have to settle for a reproduction of "The Last Judgment" superimposed on a screen that covers the scaffolding.

Vatican Museum officials on Saturday described a simple but important cleaning operation to remove the white film of salt that has accumulated on the fresco thanks to the nearly 25,000 people who pass through the Vatican Museums each day.

"This salt is created because, above all, when we sweat, we emit lactic acid, and unfortunately lactic acid reacts with the calcium carbonate present on the wall," said Fabio Moresi, in charge of the scientific research team at the Vatican Museums that is overseeing the cleaning.

Climate change also has a role to play, since the visitors who do come tend to sweat more, creating even more humidity that reacts with the fresco, he said.

Vatican Museums chief Barbara Jatta described the film as a "cataract" that is easy enough to remove: Restorers dip sheets of Japanese rice paper into distilled water and apply them to the fresco, and carefully wipe away the salt film.

Viewed up close on Saturday on the scaffolding, the difference between before and after is remarkable: Sections of the fresco that haven't been cleaned look as if they are coated in a chalky dust; the cleaned sections show the vibrant colors and detail of the original. On the figure of Jesus, for example, at the center of the fresco, a privileged visitor can see how Michelangelo painted his hair and the wounds of his crucifixion.

Advertisement

The Sistine Chapelis named after Pope Sixtus IV, an art patron who oversaw the construction of the main papal chapel in the 15th century.

But it was a later pontiff, Pope Julius II, who commissioned Michelangelo to paint the famous ceiling, the "Creation of Adam" showing God's outstretched hand, between 1508 and 1512. A later pontiff, Pope Clement VII, commissioned Michelangelo in 1533 to return to paint "The Last Judgment."

The other frescos of the Sistine Chapel, where Pope Leo XIV was elected in May, undergo yearly cleaning with restorers working at night on cherry-pickers that can be removed each morning before the public arrives.

But such machines can't access all of "The Last Judgement," since the fresco is located behind the altar, which is itself raised up marble steps. That logistical impediment required the mounting of a fixed scaffolding to access the full fresco to clean it.

The Sistine Chapel underwent a complete restoration between 1979 and 1999, when centuries of smoke, grime and wax buildup was removed. The Vatican has left small patches of the pre-restored fresco intact to show the difference, which are now visible on the upper floors of the scaffolding and show a nearly blackened wall.

Rather than radically reduce the number of visitors who can access the Sistine Chapel, the Vatican is studying ways to address humidity levels, through filtration systems and other technologies, so that the salty film doesn't form again.

Associated Press religion coverage receives support through the AP'scollaborationwith The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

Vatican removes salty white film coating Michelangelo's 'The Last Judgment'

VATICAN CITY (AP) —Michelangelo's "The Last Judgement"is getting a facial, with restorers removing a chalk...
Robert Picardo 'Thought It Was a Mistake' When He Was Asked to Return to

Robert Picardo reprises his Star Trek: Voyager role as The Doctor in the new live-action Starfleet Academy series

People Robert Picardo in 'Star Trek: Voyager'Credit: Paramount+

NEED TO KNOW

  • The new series is set 1,000 years after the actor was last part of the franchise

  • Picardo tells PEOPLE that returning to the Star Trek universe was "very unexpected"

Robert Picardo admits that, 25 years after he last played the holographic Doctor onStar Trek: Voyager, he was stunned when he got the call to return to the beloved sci-fi franchise for the new series,Star Trek: Starfleet Academy.

"I would say [it was] very unexpected — I thought it was a mistake!" Picardo tells PEOPLE exclusively.

The 72-year-old reveals that after he reprised his role as The Doctor — in voice only — for a 2024 episode of the animated, kid-skewing seriesStar Trek: Prodigy, his animation agent got word that a different set of producers in the franchise wanted to meet with him. Picardo assumed it was for another voice role or cameo until he learned more about the gig in a follow-up call.

"They called back and said, 'No, it's live-action,'" he recalls. "And then I wasreallyconfused! And then my agent, my theatrical agent, [said], 'Yeah, they want to talk to you about being in the newStar Trekseries.' "

"Those first three or four weeks waiting for that meeting were really the strangest, that part of knowing they're interested but not knowing what it was," he says. "And then they laid out the idea they had for the character and how he would fit in and what he would be doing in the future: teaching cadets at a newly reopened Starfleet Academy."

Robert Picardo in 'Star Trek: Starfleet Academy'Credit: Paramount+

Picardo had originally played the fan-favorite character — an increasingly self-aware, independent and somewhat egotistical Emergency Medical Hologram who provided a fresh lens on both humanity and technology while snarkily treating the crew of the starshipVoyager— for seven seasons between 1995 and 2001. However, with the new role, he wouldn't just be picking up The Doctor a quarter-century later; he was also thrown an unexpected acting challenge as the 2026 series was set nearly 1,000 years in the future.

"It's mind-blowing," he confesses. "I said to them, 'Wait a minute, you mean I have 800 years of digital memory — perfect clarity — so that an event that happened 792 years and 112 days and this many hours and minutes, that moment was not only recorded in here, but it was as clear as something that happened yesterday?' [They said], 'Yep, that's what it means.' I said, 'Alright, I'll start trying to wrap my mind around that now!' "

What struck him most about taking a quantum leap forward in time was how it would affect The Doctor's worldview. "Working side by side with 32 generations of organic colleagues growing old and dying around you, how does that influence your desire to form personal relationships?" he questions.

"I thought that on the surface, he would seem the same, at the same pace, the same attitude, the same snarkiness when he didn't feel he was being respected, the same 'I like feeling that I'm the smartest intelligence in the room,' all of those things," Picardo tells PEOPLE. "But that, when push came to shove, he wasn't very interested in going deeper with any individual. I wasn't excited to be your pal, you know what I mean? Because what's the end game for me?"

"So there was this kind of push-pull between being like The Doctor once he had grown more human-like, but with the sort of careful delineation of how far he wanted to go beyond cordiality in his relationships," he adds.

Robert Picardo in 'Star Trek: Voyager'Credit: Paramount+

That emotional distance has been challenged on the new Paramount+ series by young SAM (Kerrice Brooks), another photonic being enrolled in Starfleet Academy, who longs for mentorship from The Doctor, who finally lowers his defenses.

"The Doctor, I think, likes feeling unique, but also a protege who is giving him more attention and interest that he clearly wants to return," Picardo explains. "He's both intrigued and annoyed by her."

AsStarfleet Academyhas been streaming new episodes each week, Picardo has been enjoying watching the always-passionate fanbase debate the various merits of the show — a phenomenon he's been long accustomed to.

Advertisement

"It takes every newStar Trekshow two years or so to kind of hit its stride," he says. "And until then, people complain about what kind of female Captain Janeway should be. 'Do we really need a female captain in the mid-90s?' I mean, we were 25 years ahead ofDoctor Who,having the first female doctor! 25 years! And of course, Kate [Mulgrew] really won over all of the initial critics to the idea of taking this traditionally male role. And since then, of course, we've had Captain Michael Burnham, we've had Michelle Yeoh's character, [Captain Georgiou] and now Holly Hunter."

"I've been really lucky to be in shows that are led by women —China Beach,even before that, the Vietnam drama I was in where the point of view character was an Army nurse played by Dana Delaney," he adds. "So I feel like I've had this special luck to be on shows where women, female characters, really carried the show or were the dynamos behind the show."

Robert Picardo in 'Star Trek: Voyager'Credit: Paramount+

Playing the holographic character has also given Picardo a unique perspective on a current, much-buzzed-about topic: AI.

"Obviously, we were ahead of the game onStar Trekwhen we did all of those episodes about core fears of artificial intelligence, when The Doctor's program was hijacked by another entity and his core programming of serving and being a healer was taken over so that he could now be threatening and even lethal," he says. "All of those things that have been very much in the public imagination the last three years, we were dealing with 30 years ago."

Picardo recalls once receiving a call from someone getting a PhD at Harvard, specializing in researching medical applications for AI, wanting to interview him for a book. "I said, 'You know, I'm only an actor,'" he recalls.

But the physician explained that, as a young viewer ofVoyager, he was captivated by the concept of an Emergency Medical Hologram programmed with the entirety of medical knowledge.

"But then he said, 'Watching your journey on the show, I came to realize that the knowledge is not enough. You need the human interface, you need the bedside manner. You need to mediate the information to a patient in order to have that bond and give them, so they have trust in you,'" Picardo says. "It is interesting for me as a bystander, as an actor who played this artificial intelligence physician, to now see so many of these concerns play out now and feel like, if only because of my role, I've been thinking about them for decades."

Robert Picardo in 'Star Trek: Starfleet Academy'Credit: Miller Mobley/Paramount+

He's also been keenly aware of the rate at which technology advances. "Star Trekhas always been in the game of dreaming up something and then science tries to catch up with that dream because of all the young minds that were watching it at the time and because it just seemed impossibly cool if we could do that," he says. "I remember my little computer on my desk in Sickbay when we premiered seemed so impossibly small. And then, within a year and a half of our premiere, it was too big! PowerBooks came out and suddenly it was like, 'No, this looks like a joke.' "

"Star Trekis a great predictor, I think, of technologies, and it also encourages us to want to develop the science and engineering to accomplish them," he says.

As a result, inspired by the originalTrekseries' actress Nichelle Nichols' recruitment of women and minorities into the space program in the '70s and '80s, Picardo has "tried to take on that mantle with my relationship with the Planetary Society for more than 25 years," supporting funding for NASA's space science budget and sitting on its executive board.

It's just one aspect of the way being a part ofStar Trekhas impacted him, he says. "It changes your life in so many other ways through the people you meet who likeStar Trekor have been inspired byStar Trekas young people and grown into these amazing people that you meet and they giveyousome credit!" he tells PEOPLE.

"I mean, to sit on stage with five men who walked on the moon, just to be up there with them because, at least to the audience, we were connected somehow," he marvels. "So that connection between imagining what our future in space is and actually encouraging the work to be done now in order to get there is something that I have treasured in my life."

Read the original article onPeople

Robert Picardo 'Thought It Was a Mistake' When He Was Asked to Return to “Star Trek” Universe“ ”25 Years Later (Exclusive)

Robert Picardo reprises his Star Trek: Voyager role as The Doctor in the new live-action Starfleet Academy series ...
Trump to give Saturday morning address amid Iran strikes, Axios reports

WASHINGTON, Feb 28 (Reuters) - President ‌Donald ‌Trump is expected ​to give an address on ‌Saturday ⁠morning as the U.S. ⁠carries out ​strikes ​in ​Iran, Axios ‌reported, citing a U.S. official.

Reuters

Advertisement

The White House did ‌not ​immediately ​respond ​to ‌a request for ​comment.

(Reporting ​by Jasper Ward ​in ‌Washington; editing ​by Scott ​Malone)

Trump to give Saturday morning address amid Iran strikes, Axios reports

WASHINGTON, Feb 28 (Reuters) - President ‌Donald ‌Trump is expected ​to give an address on ‌Saturday ⁠morning as the U.S...
Adisson Rae

Addison Raeconsistently pushes the boundaries of fashion with her style, and her latest look in a structural micro minidress truly defies imagination. Embracing a bold, body-conscious silhouette, she donned an avant-garde creation that felt more like a wearable sculpture than a conventional dress. The official Instagram page for Perfect Magazine posted a snap of her look as the cover of a carousel posted on February 26.

Addison Rae stuns in structural Jean Paul Gaultier micro minidress for Perfect Magazine shoot

Addison Rae donned a micro minidress for her Perfect Magazine photoshoot. The dress played with proportion, balance, and negative space. Rendered in red-and-white horizontal stripes, the look nodded subtly to nautical influences, a long-standing Gaultier signature. The cropped, sculptural upper portion framed the body with dramatic curves and cutouts, creating an almost gravity-defying effect. Rather than draping traditionally, the fabric held its shape, forming bold contours that extended away from the torso.

The skirt mirrored the exaggerated structure, curving away from the hips in a rounded, three-dimensional silhouette. The rigid, inflated appearance challenged expectations of how fabric should move and sit on the body, transforming the dress into a statement about form as much as fashion. Despite its experimental design, the piece remained strikingly balanced. It highlighted Rae's figure while maintaining a sense of playful artistry. The dress is Look 16 fromJean Paul Gaultier's Spring 2026 Ready-to-Wear collection.

Advertisement

The "Diet Pepsi" singer kept her accessories minimal to avoid distracting from the dress. The dramatic torso cutout spotlighted her belly button piercing. She wore her red hair in soft, tousled waves with a side part. She posed with one hand on her waist and another behind her head. Her makeup was simple, with defined eyebrows, rosy blush, and a muted, dusty lipshade.

In the second photo of the carousel, the songstress wore theChloe Ruched Rose-Print Bodysuit. It is a look from the brand's Summer 2026 Ready-to-Wear collection. The neckline features a panel of water-resistant lace as well as a bow detail. The piece is currently retailing for $950.

Originally reported by Ankita Shaw onThe Fashion Spot

The postAddison Rae's Structural Jean Paul Gaultier Micro Minidress Is a Masterpieceappeared first onReality Tea.

Addison Rae’s Structural Jean Paul Gaultier Micro Minidress Is a Masterpiece

Addison Raeconsistently pushes the boundaries of fashion with her style, and her latest look in a structural micro minidress truly defies ...
Cindy Crawford Shares JFK Jr.'s Handwritten Note Praising Her Iconic

Cindy Crawford is sharing a sweet social media tribute to the late John F. Kennedy Jr.

People John F. Kennedy Jr.; Cindy CrawfordCredit: Barry King/WireImage; Taylor Hill/FilmMagic

NEED TO KNOW

  • The model, who graced the inaugural cover of his magazine George, said Ryan Murphy's new FX series Love Story brought back the memory

  • "JFK Jr. was visionary—putting Cindy Crawford as George Washington on the launch cover was bold and ahead of its time," one fan said

Cindy Crawfordhas fond memories of working with the lateJohn F. Kennedy, Jr.

On Thursday, Feb. 26, the 60-year-old model and actress reflected on being the first person to grace the cover of Kennedy'sGeorgemagazine, which was in publication from 1995 until 2001.

"Taking a trip down memory lane with@lovestoryfx…," she began in the caption of herInstagram post, referencing the newRyan MurphyFX drama series that chronicles the romance between Kennedy and his late wife,Carolyn Bessette Kennedy.

John F. Kennedy Jr. — press conference in NYC for the launch of the political magazine 'George

"1995 — the inaugural cover of JFK Jr'sGeorge Magazine, shot by the one and only Herb Ritts. Not just politics as usual," Crawford continued, referencing the magazine's iconic tagline.

Her post started with a shot of Kennedy at a press conference forGeorgemagazine, held at Federal Hall in New York City on Sept. 7, 1995.

In addition to his political work, the attorney, publisher and journalist was best known as the son of the 35th U.S. president,John F. Kennedy,and First LadyJacqueline Kennedy.

As Crawford's photo carousel continued, she also shared a shot of herself dressed as a fashionable George Washington — donning butter yellow trousers and a cropped ruffled blouse paired with a frock coat in coordinating colors.

The model pulled her look together with an ash blonde wig reminiscent of the hairpiece worn by the nation's first president.

The carousel also included a photo of Kennedy holding a copy of the inauguralGeorgemagazine, followed by a video of him explaining its concept during a CNN appearance with Larry King.

"We're about the intersection of politics and popular culture," he said at the time. "And we're calledGeorge, and a part of it is, you know, Cindy Crawford is sort of the symbol of American commercialism, in a way, as well as being a very capable businesswoman."

Advertisement

The PEOPLE Puzzler crossword is here! How quickly can you solve it? Play now!

Kennedy continued, "But if that's the concept that you're about, then that's what we wanted to put on and not really shy away from it, and put an illustration."

Crawford's post ended with a handwritten message to Ritts, praising the photographer for the finished product.

"Herb," Kennedy began. "Here's the cover. It reflects hours of debating over what words and how many words to obscure your beautiful image. We hope you liked it. Talk soon, John K."

FX's Love Story — Season 1, Ep. 4 — Paul Anthony Kelly as JFK Jr., Sarah Pidgeon as Carolyn BessetteCredit: FX

"JFK Jr. was visionary—putting Cindy Crawford as George Washington on the launch cover was bold and ahead of its time. Today's generation would have loved that fusion of pop culture and politics," one person commented.

In Murphy's new series, which sees Paul Anthony Kelly and Sarah Pidgeon star as JFK Jr. and Carolyn, respectively, there is mention ofGeorgemagazine's inception.

However, the show mainly focuses on the whirlwind relationship he has with the former publicist who worked for Calvin Klein before their marriage in 1996.

"I know how special Carolyn is to me and I understand how widely beloved she is, so this role comes with a lot of responsibility,"Pidgeon toldVarietyin July 2025.

Never miss a story — sign up for PEOPLE'sfree daily newsletterto stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories.

Pidgeon added, "I mean, not only how she dressed, but the woman who worked at Calvin Klein and the person that JFK Jr. fell in love with. She's a human being beyond just these pictures. She really resonates with a lot of people, and she certainly does with me."

The real JFK Jr. and Bessette died in an aviation accident along with Carolyn's sister, Lauren Bessette, on July 16, 1999, off the coast of Martha's Vineyard.

Love Storyis now streaming on Hulu.

Read the original article onPeople

Cindy Crawford Shares JFK Jr.'s Handwritten Note Praising Her Iconic “George” Cover as a 'Beautiful Image'

Cindy Crawford is sharing a sweet social media tribute to the late John F. Kennedy Jr. NEED TO KNOW The mode...

 

JIT MAG © 2015 | Distributed By My Blogger Themes | Designed By Templateism.com