17 Epic ’70s Concerts That Changed Music Forever

Before streaming and algorithm-driven discovery, there was the sheer electricity of a live show to shift culture. The 1970s saw concerts turn into landmarks for fans and for music itself. Artists experimented with stagecraft, sound, and scale, altering how concerts were planned, filmed, and remembered.

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These shows left behind new expectations, bigger risks, and moments no one else could replicate.

The Who – University of Leeds Refectory, England – February 14, 1970

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In search of a clean live recording, The Who scrapped earlier tour tapes and recorded this concert. The setup was minimal, with no crowd mics and a tight setlist focused on earlier singles. Live at Leeds became a respected live rock album that influenced how later bands approached recording live performances.

David Bowie – Hammersmith Odeon, London – July 3, 1973

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The event marked the end of Bowie’s Ziggy Stardust persona. Without advance notice, he told the audience it was the final performance. Many thought he was quitting music entirely. Instead, it was a deliberate break from one of rock’s most iconic characters.

Led Zeppelin – Madison Square Garden, New York – July 1973

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Before this concert run, Zeppelin had already redefined what arock bandcould look like at scale. By 1973, they had released five albums, each pushing blues-rock toward heavier, more experimental territory. Their New York shows, captured in The Song Remains the Same, showed the high-stakes nature of their live reputation.

Pink Floyd – Amphitheatre of Pompeii, Italy – October 1971

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Without an audience, Pink Floyd performed inside the ruins of Pompeii. The film emphasized setting and sound by presenting the band in an experimental format. The extended instrumentals and sparse visuals portrayed the group’s interest in ambient and space-driven music.

Allman Brothers Band – Fillmore East, New York – March 1971

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By 1971, the Allman Brothers had earned a following, but At Fillmore East is what placed them permanently in the conversation. Duane Allman’s guitar work, especially on “Whipping Post” and “In Memory of Elizabeth Reed,” was central to the band’s identity. Meanwhile, the rest of the band left room for the music to evolve naturally without forcing transitions.

Queen – Hammersmith Odeon, London – December 24, 1975

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Queen’s rise was carefully orchestrated but powered by their ability to deliver live. Around the time this televised concert aired, they had already moved beyond “Killer Queen” and were heading toward more complex arrangements. Freddie Mercury’s control over both voice and stage was undeniable.

Grateful Dead – Watkins Glen, New York – July 28, 1973

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Drawing an audience of over 600,000, this event became one of the largest concert gatherings. The Grateful Dead’s approach remained unchanged despite the scale: greater improvisation, fluid transitions, and a lack of scripted structure. The performance proved that large-scale concerts didn’t require polished delivery to maintain engagement.

The Rolling Stones – Madison Square Garden, New York – July 26, 1972

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The Stones had entered a new phase with Exile on Main St., and this tour showed that shift. Their MSG set, which landed on Jagger’s birthday, combined grit with sharp delivery. The guitars, Richards and Taylor, were the anchor. Songs like “Tumbling Dice” and “Happy” hit harder live. The group’s control didn’t waver even with confetti and cake flying.

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Grateful Dead – Veneta, Oregon – August 27, 1972

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Later released as Sunshine Daydream, this outdoor show was recorded during high summer heat. The Dead maintained consistency through three extended sets, featuring material spanning their early folk-rock period. This show is often recommended to newcomers because it shows the band in its element: less structured, but highly attentive to musical interplay.

Van Morrison – Rainbow Theatre, London – July 24, 1973

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Prior to 1973, Van Morrison's career had already moved through garage rock, jazz, and folk. With the Caledonia Soul Orchestra, he built an elaborate live sound. The concert drew from Moondance and Saint Dominic’s Preview, but “Cyprus Avenue” defined the night. The Rainbow performance captured a version of Morrison that balanced emotional improvisation with technical discipline.

Neil Young – The Bottom Line, New York – May 16, 1974

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Young’s appearance was unannounced, and most of the material was unreleased then. The performance offered insight into upcoming albums and songwriting themes. While not recorded officially, it became widely circulated through bootlegs and is frequently cited as a revealing moment in his solo career.

Bruce Springsteen – Capitol Theatre, New Jersey – September 19, 1978

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Broadcast across multiple radio stations, this concert documented Springsteen’s Darkness on the Edge of Town tour with particular clarity. “Prove It All Night” featured a long instrumental introduction demonstrating the E Street Band’s control over pacing and intensity.

Ramones – Rainbow Theatre, London – December 31, 1977

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The Ramones’ set consisted of short, fast-paced songs delivered without interruption. Songs like “Blitzkrieg Bop” and “I Wanna Be Well” landed in under two minutes, one after the other. And this Rainbow Theatre show was later released as It’s Alive, and the recording remains a high-speed record of the band’s most effective live format.

Little Feat – Rainbow Theatre, London – August 2, 1977

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Little Feat always existed somewhere between genres, blues, funk, country, and they rarely played the same song the same way twice. With Mick Taylor guesting and Tower of Power horns in the mix, “Dixie Chicken” and “Fat Man in the Bathtub” became open jam sessions.

Bob Dylan – Hughes Stadium, Colorado – May 23, 1976

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The Rolling Thunder Revue allowed him to reinterpret songs with a looser, more ragged style. At this Colorado show, later used for Hard Rain, “Idiot Wind” carried greater edge than its studio version. The sound was rough, andBob Dylanembraced the change.

The Band – Winterland Ballroom, San Francisco – November 25, 1976

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On Thanksgiving night in 1976, The Band’s farewell concert, The Last Waltz, took place at Winterland Ballroom. With guest stars like Bob Dylan, Neil Young, and Joni Mitchell, the iconic performance became a landmark in rock history. It was later immortalized in Martin Scorsese’s film.

S*x Pistols – Lesser Free Trade Hall, Manchester – June 4, 1976

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The S*x Pistols’ infamous 1976 gig at Manchester’s Lesser Free Trade Hall was attended by just a handful of fans, but its influence was monumental. This raw performance sparked the British punk scene, inspiring future bands like Buzzcocks and Joy Division. The show changed music forever.

17 Epic ’70s Concerts That Changed Music Forever

Before streaming and algorithm-driven discovery, there was the sheer electricity of a live show to shift culture. The 1970s saw concert...
“Far More Talented Than Her Father”: 27 Nepo Babies That Even Haters Say Actually Deserve Their Fame

Hollywood has always had famous families, and many stars grew up with well-known parents already in the spotlight. While some people quickly label them as “nepo babies,” not every celebrity rides only on a last name.

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Many have worked hard, proved their talent, and built careers that stand strong on their own.

These celebrities earned respect from audiences who believe they deserve the fame they have today. Here are 27 nepo babies that even critics admit truly made it on talent.

Willow Smith is the daughter of Hollywood stars Will Smith and Jada Pinkett Smith. Growing up in the spotlight came with pressure, as she admitted, “to be completely and utterly honest, it’s absolutely terrible,” describing the difficulty of figuring out life while being constantly watched.Despite that, Willow built her own identity through music. While many rememberWhip My Hair, her sound has evolved across genres. She has also spoken about admiring her parents’ values, saying they always tried “to be the best people they could be” and never put themselves above others.As one user gushed about her music, “She is very underrated… I wish more people would listen to her music!”

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ZoĂ« Kravitz is the daughter of rock star Lenny Kravitz and actress Lisa Bonet. Growing up between her mother’s quiet, creative home and her father’s whirlwind rockstar life, ZoĂ« toldEsquirein 2024 that living with Lenny was “this whirlwind of a completely different universe.”She later admitted in 2020 onArmchair Expert with Dax Shepard,she once considered dropping the Kravitz surname because she felt insecure about people only connecting her to her famous family, saying, “I did used to be really insecure about people just associating me with my family, and now I love it — I’m so proud of them.”Like both parents, ZoĂ« followed in acting and music. She starred inBig Little Lies,The Batman, and made her directorial debut withBlink Twice.She also performed music with her band Lolawolf, following Lenny’s musical path. She even shared a connection with Lisa throughHigh Fidelity;Lisa starred in the 2000 film, while ZoĂ« led the 2020 Hulu series adaptation.Lenny proudly said, “She’s amazing… we’re friends. We’re very close. We talk about everything.”

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Apple Martin is the daughter of actress Gwyneth Paltrow and Chris Martin. While many know her for being part of that famous family, Apple has started building her own career through modeling and creative work.In 2025, she appeared with her mother in a GapStudio campaign and later became the solo face of Self-Portrait, while also making her directorial debut at Vanderbilt University.She has been clear that fame did not mean entitlement. “My parents did a really good job of instilling in me that I shouldn’t be entitled to anything. I have to work,” she toldThe Telegraph.Apple also shared that she once planned for law school but now says, “My dream is to act,” viaVogue.

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Kate Hudson is the daughter of actress Goldie Hawn and musician-actor Bill Hudson, though she was largely raised by Hawn and her longtime partner Kurt Russell.She built her own career with hits likeAlmost Famous, which earned her an Oscar nomination, and became a rom-com staple before expanding into television and music.Addressing nepotism, she once shared withThe Independent, “I don’t care where you come from… if you work hard and you kill it, it doesn’t matter.”Fans often point out that she earned her success independently. One wrote, “I knew her first through her movies before I heard her parents’ names,” while another claimed she may even be “a better actor than either of her parents.”

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Dakota Johnson comes from one of Hollywood’s most famous families. She is the daughter of actors Melanie Griffith and Don Johnson, granddaughter of Tippi Hedren, and stepdaughter of Antonio Banderas.Her parents’ careers in films and television made acting feel like the family business, but they actually discouraged her from entering Hollywood. Dakota toldW Magazine, “They wanted me to have as much of a childhood as I could.”Don even cut her off financially after high school when she said she wasn’t going to college. Just weeks later, she landedThe Social Network, and as he joked, “The rest is, shall we say, cinema history.”Melanie later revealed she was never worried about Dakota’s talent, only the difficulty of the industry, adding, “It’s Dakota’s sense of self… and hard work that has gotten her through scary times.”

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Lily Collins is the daughter of Grammy-winning musician Phil Collins and Jill Tavelman. Growing up, she moved between London and Los Angeles before settling in L.A. with her mother after her parents split when she was five.While many knew her as Phil Collins’ daughter, Lily was determined to build her own identity in Hollywood.She toldVogue Francein 2022, “It was out of the question that people would think that I use a free pass thanks to my name. I’m proud of my dad, but I wanted to be me, not just his daughter.”She chose acting over music partly to avoid direct comparisons, explaining, “I love to sing… but I preferred to be an actress.”FromMirror Mirrorto Emily in Paris, she proved herself on her own. In her memoir, she also addressed her complicated bond with Phil in an open letter, writing, “I forgive you for not always being there when I needed.”

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Colin Hanks is the son of Tom Hanks, one of Hollywood’s most respected actors. Growing up in the industry, he knew his father’s name would always follow him.He admitted early on that it wasn’t easy to separate himself, explaining during an appearance on Dax Shepard’s podcastArmchair Expertthat he thought he’d be seen as his “own person,” but “that doesn’t happen.”Despite that, he built his career gradually with roles inRoswell,Orange County, andFargo, earning an Emmy nomination and working across comedy and drama.Over time, audiences have recognized his effort to carve his own path. One fan said, “Colin is legitimately insanely talented… he built a lot himself.”

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Nicolas Cage was born Nicolas Coppola into the powerful Coppola film family, including director Francis Ford Coppola and actress Talia Shire. To avoid being judged for nepotism, he dropped his surname early in his career.He admitted that the change helped him prove himself. “As soon as I went into the casting office under a new name… I got the part… I felt liberated,” he toldThe Talks.He also called his background a “mixed blessing” and admitted toPlayboy, “I felt I had to work twice as hard as the next guy.”Cage went on to build a strong career with films likeFace/OffandNational Treasure, and also earned an Oscar for 1995'sLeaving Las Vegas.Many fans respected his choice to drop the last name, with one writing, “He didn’t even have to use the name Coppola… most people don’t even know he’s a Coppola.”

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Angelina Jolie’s father, Jon Voight, is an Oscar-winning star, while her mother, Marcheline Bertrand, was also an actor. Despite the background, Jolie had a complicated relationship with her father and was largely raised by her mother, which shaped her path.Jolie built her own legacy with powerful performances in films likeGirl, Interrupted, which won her an Academy Award, and blockbuster roles likeLara Croft: Tomb Raider.Reflecting on her journey, she once shared in a 1999 interview withRolling Stone, “I think it’s probably healthy not to put too much thought into that. It's an interesting thing, because I think we speak to each other a lot through our work."While nepotism debates continue, many believe she surpassed expectations. One user wrote, “She’s definitely FAR more talented than her father.”

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Margaret Qualley is the daughter of actress Andie MacDowell, known for films likeFour Weddings and a FuneralandGroundhog Day. Growing up around Hollywood, she had early exposure to the industry.She even worked alongside her mother in Netflix’sMaid, playing a struggling young mother while MacDowell played her on-screen parent. Speaking about working together, Qualley toldThe Hollywood Reporterin 2021 that she got to work with “my very first idol,” while MacDowell called the experience “really special.”The 31-year-old has built her own career withThe Leftovers,Fosse/Verdon, andOnce Upon a Time in Hollywood, earning strong reviews and award nominations.Many viewers agree she’s earned her place. One fan wrote, “She was fantastic inThe Substance.” Others praised her range, calling her “a very talented dancer” and highlighting her “great micro expressions.”

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Josh Brolin is the son of veteran actor James Brolin and casting director Jane Cameron Agee. Although he grew up around Hollywood, he initially avoided acting, seeing how unpredictable the career could be.His father supported him but kept it real about the industry. James once advised him, “Don’t be a leading man… be a character actor and you’ll work forever,” Brolin recalled withPeople. That advice shaped Brolin’s approach as he built his career through strong, varied roles instead of chasing typical stardom.Brolin went on to prove himself with films likeNo Country for Old Men,Sicario, andAvengers: Endgame. As one fan put it, “He absolutely proved he could act his a*s off.”

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Liza Minnelli was born into Hollywood royalty as the daughter of Judy Garland, star ofThe Wizard of Oz, and acclaimed director Vincente Minnelli.She entered show business early, appearing in her mother’s filmIn the Good Old Summertimeat age 3 and later performing with Garland onThe Judy Garland Show. She even worked with her father on his final film,A Matter of Time(1976).By 19, Minnelli had already won a Tony Award, and she later achieved EGOT status with an Oscar, Grammy, Emmy, and multiple Tonys.Still, she toldVarietyin 2020 that the hardest part was “getting to be known as myself as opposed to somebody’s daughter.”Reflecting on Garland’s legacy, she added, “When I call on her, she’s there.”

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Maya Hawke is the daughter of actors Uma Thurman and Ethan Hawke, both A-list Hollywood stars. Despite that, her parents were cautious about her joining the industry and “tried to protect” her from it.She has worked closely with them, starring with her father inThe Good Lord Birdand with her mother inThe Kill Room. Maya shared about her father, tellingPeople, “I really see him as my teacher,” while Ethan praised her for her work inThe Good Lord Bird,saying, “She’s got ideas… she has a grace,” viaSeth Meyers.Later, Hawke built her own fame withStranger Things,Do Revenge, and music projects.Many netizens believe she fully deserves her own fame, with one saying, “Maya Hawke is so talented… she’s going to win an Oscar one day.”

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Bryce Dallas Howard is the daughter of filmmaker Ron Howard, known forA Beautiful MindandApollo 13. She also comes from a long line of actors, making her a third-generation performer.Howard has acknowledged the privilege, tellingThe Independent, “The layers of privilege that I’ve experienced… there’s a lot that I’m aware of.”She even collaborated with her father early on, appearing in his films, includingParenthood, A Beautiful Mind, Apollo 13,etc., and later worked behind the scenes.She built her own career with roles inThe Help,Jurassic World, andBlack Mirror, and has also gained recognition as a director.Many viewers believed she’s earned her place. One fan said, “Good actor, even better director!” Another added, “Her directing is beautiful.”

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Jamie Lee Curtis is the daughter of Hollywood icons Tony Curtis and Janet Leigh, known forSome Like It HotandPsycho. Growing up in a film dynasty, she has often called herself an “OG nepo baby,” acknowledging how her lineage shaped her entry into the industry.Despite that, Curtis built a career of her own, from horror fame inHalloweento eventually winning an Oscar forEverything Everywhere All at Once.She has consistently credited her parents, once tellingPeople, “I literally wouldn't be here without them… I am a product of this town, these people.” She even honored them by wearing her mother’s ring during her SAG Awards win.As one comment puts it, “Jamie Lee Curtis! From two extremely famous parents… she became an icon and Oscar winner in her own right.”

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Maya Rudolph comes from a deeply musical family. Her mother, Minnie Riperton, was the iconic voice behindLovin’ You, while her father, Richard Rudolph, is a prolific songwriter.Growing up around music shaped her early life; she even performed with the bandThe Rentalsbefore moving into acting and comedy.After her mother’s passing when she was six, Rudolph leaned into comedy as a coping mechanism, later tellingThe Guardianthat it was “the only thing to keep me from crying.”She went on to break out onSaturday Night Liveand build a strong acting career while still embracing music. She also honored her mother’s legacy by naming her fourth child Minnie.“My mom was music… Music sounds and feels very normal to me,” shetold NPR.Fans agree on her range, with one noting, “AND she can legitimately sing, too!”

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Zoey Deutch grew up in a Hollywood family with actress Lea Thompson and director Howard Deutch as her parents.Raised in Los Angeles alongside her writer sister Madelyn, Zoey was surrounded by creativity from the start. She began acting young with Disney’s The Suite Life on Deck and later built her own career through projects likeSet It UpandSomething from Tiffany’s.She also worked closely with her family onThe Year of Spectacular Men, directed by Lea and written by Madelyn.Lea called it “an incredible experience” and toldParadein September 2023, “My kids couldn’t be cooler. Zoey is an amazing actress.”Zoey has often said her mother is her biggest inspiration. She toldDuJour, “She’s my role model… She’s a really, really remarkable woman.”In 2017, she toldParadethat her parents’ best advice was simple: “Work hard, be nice, and keep going.”Zoey added, “No one just gets lucky… Hard work pays off.”

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Taylor Dearden is the daughter of Bryan Cranston and Robin Dearden, both established actors in television.She even shared the screen with her father early on, appearing in an episode ofBreaking Bad, but has since worked across shows likeSweet/ViciousandAmerican Vandal.Her biggest breakthrough came withThe Pitt, where her performance as Mel turned her into a fan favorite. While her parents supported her, Cranston has been clear about her talent, tellingPeople, “She is far beyond where I was in my 20s… She is a super-talented young lady!Fans clearly agree. One wrote, “Blew my mind when I found out she was his daughter… absolutely love her inThe Pitt.”

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George Clooney comes from a family deeply rooted in entertainment. His father, Nick Clooney, was a longtime TV host and news anchor, while his mother, Nina Bruce Warren, was a former beauty queen, writer, and antique shop owner.His aunt was legendary singer-actress Rosemary Clooney, known for White Christmas, and his cousin Miguel Ferrer also found success in Hollywood.George has often said his parents shaped his values more than his fame. “You had to be involved. My mother and father were involved,” he toldPeoplein December 2020, recalling his father’s advice:“Don’t come back and look me in the eye unless you stand up to bullies and racists.” He also praised their work ethic, saying of his mother, “She went to work every day and worked very hard.”Before becoming a star himself, George even lived with Rosemary while trying to make it in Hollywood. One viewer noted, “I started re-watchingERand had forgotten that his much more famous aunt and cousin had guest-starred in the first couple of episodes.”

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Ben Stiller comes from a comedy legacy. His parents, Jerry Stiller and Anne Meara, were a famous duo who performed together asStiller & Mearabefore building successful individual careers.Growing up around sets and comedy, Stiller naturally stepped into the industry. He made his early screen appearances alongside his father and later worked with both parents in films likeZoolanderandNight at the Museum.Reflecting on their influence, he once said toParade,“My mom was the person that I most looked up to for her point of view, her humor.” Over time, he built his own identity with hits likeMeet the ParentsandTropic Thunder.Even those surprised by his background still appreciate his work, as one user said, “I didn’t know Ben was a nepo baby… still love him though.”

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Drew Barrymore comes from one of Hollywood’s oldest acting dynasties. Her father, John Drew Barrymore, and grandfather, John Barrymore, were actors, while her lineage traces back to Maurice Barrymore in the 1800s, earning the family the title “The Royal Family of the American Stage.”Despite the deep-rooted legacy, Barrymore carved her own path early. She became a child star withE.T.at just seven and continued building a long career through films likeCharlie’s Angelsand50 First Dates, later transitioning into producing and hosting her own talk show.Reflecting on her connection to acting, she once shared withPeoplein 2022, “I feel so compelled to do what they do,” describing the “cosmic, spiritual, magnetic pull” of her family’s craft.While her background is undeniable, many feel she earned her place. One comment noted how the Barrymore legacy spans over 200 years, adding, "You have to go back over 200 years to find a Barrymore in the dramatic arts/acting that isn't a nepo baby.”

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Rashida Jones is the daughter of music legend Quincy Jones, who won 28 Grammys, and Peggy Lipton, known forThe Mod SquadandTwin Peaks. Raised in Los Angeles, she grew up surrounded by both music and acting, eventually stepping into the industry herself.Jones built her own identity through roles inThe OfficeandParks and Recreation, while also writing and producing.She often credited her mother’s support, saying in an interview withOprah.comin 2009, “She’s given me perspective… and let me cry when things haven’t gone my way.” She also collaborated closely with her father, co-directing the documentaryQuincyabout his life.As one user put it, “She's not as talented as her dad… but she was great in both roles,” reflecting how audiences still recognize her individual talent despite her famous parents.

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Jack Quaid is the son of Hollywood stars Dennis Quaid and Meg Ryan, one of the most iconic couples of the ’90s. Despite that, he has been very open about his privilege, once tellingVariety, “I am an immensely privileged person… People have called me a ‘nepo baby.’ I’m inclined to agree.”He still chose to build his career independently, even turning down his father’s agent early on.Quaid went on to land roles inThe Hunger Gamesand later gained recognition through projects likeThe Boys. His father noted his natural passion, sharing onThe Kelly Clarkson Showin 2021 that Quaid had “a video camera in his hand when he was, like, 4 years old.”Fans often separate him from his famous lineage. One wrote, “Jack Quaid is amazing… he’s a good actor,” while another added, “I don’t even see him as Dennis Quaid’s son.”

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Mariska Hargitay is the daughter of Hollywood icon Jayne Mansfield and actor-bodybuilder Mickey Hargitay. Her mother was a major star in the ’50s and ’60s, but tragically passed away in a car crash when Mariska was just three, an event that deeply shaped her life.Despite that loss, Hargitay built a powerful career of her own, most notably as Olivia Benson onLaw & Order: SVU. She has often credited her father’s guidance, recalling, “I could have quit a million times, but my dad drilled into me that our family doesn’t quit,” viaParadein 2019. She also reflected on grief, saying, “The only way out is through.”Netizens widely acknowledge her impact. One noted, “Olivia Benson is one of the most well-known characters in all of TV.”

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Dan Levy is the son of comedian Eugene Levy and screenwriter Deborah Divine. His sister, Sarah Levy, is also an actor, making it a full family affair.Growing up, Dan struggled with his father’s fame, admitting onQ with Tom Power, “I hated it. It caused some pain in my relationship with my dad.”Over time, the two worked through it and went on to createSchitt’s Creektogether, with Sarah also starring. The show became a massive success, even sweeping the Emmys.Eugene later praised his son, saying, “I love you… and could not be prouder,” crediting Dan for guiding the show’s success.Their fans strongly support the family’s talent. One wrote, “Eugene is a genius… so it’s not actually a shock that his son is too.”

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Domhnall Gleeson is the son of acclaimed Irish actor Brendan Gleeson, known for roles inHarry PotterandThe Banshees of Inisherin. Raised in Dublin, he grew up in a family deeply connected to acting, with his brother BrĂ­an Gleeson also in the industry. He even appeared alongside his father inHarry Potter and the Deathly Hallows – Part 1.Gleeson built his own career with projects likeAbout Time,Star Wars, andThe Paper.Despite his background, he acknowledged the conversation around privilege, tellingThe Irish Times, “It’s an important conversation… It’s important that there is room for other people.”And fans couldn’t disagree with his talent, as one comment puts it, “Domhnall Gleeson. That man has RANGE.”

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Jared Harris is the son of legendary Irish actor Richard Harris and Welsh actress Elizabeth Rees-Williams. Growing up, he and his brothers split time between their divorced parents; his father was “incredibly indulgent,” while his mother was much stricter.Jared admitted he initially had no plans to act and even hated public speaking.Big Issue, “I had no concept that I was interested in being an actor. I hated public speaking. Still don’t really like it.”He moved to the U.S. partly to escape being known only as Richard Harris’ son. At Duke University, he found acting by accident after spotting a flyer promising “Free keg of beer,” which led him to audition for a play. That changed everything. Later, he built his own path with standout roles inMad Men, Chernobyl,andThe Crown.After success, he shared, “I still wake up every morning wondering if I can make a living as an actor.”One fan summed it up best, “Jared Harris!!!! I forgot he’s a nepo baby; he is so wildly talented. He steals the show in everything I see him in.”

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“Far More Talented Than Her Father”: 27 Nepo Babies That Even Haters Say Actually Deserve Their Fame

Hollywood has always had famous families, and many stars grew up with well-known parents already in the spotlight. While some people qu...
Chris Rea interview: BBC cut me from Rugby Special while I was in cancer remission

“I would say they were the six of the happiest years of my working life.” The velvet voice is just as I remember it. Chris Rea may have spent the majority of his 82 years living in England, but the warmth of his Dundonian accent still resonates as it did four decades earlier when he was a regular fixture for rugby supporters – including me – across the country as presenter ofBBC’sRugby Specialprogramme.

The Telegraph Chris Rea, former Scotland and Lions centre, who used to present Rugby Special

They were the best of times. In the late 1980s and early 1990s, rugby union was edging slowly but inexorably towards professionalism but the players were still amateurs with rich life stories to tell. The programme captured those with intimacy and colour, while providing highlights of the best of the club game and the international stage and offered a platform to debate major talking points.

Even now, hearing the first few bars of the show’s theme tune (quiz night answer, it wasHoly Mackerelby the Shadows’ drummer, Brian Bennett) evokes memories of mud-soaked Sunday afternoons on the unmissable highlights show on BBC Two.

Rea, the former Headingley, Scotland andBritish and Irish Lionscentre, was at the heart of it, presenting the show in its heyday years between 1988 and 1994. He remembers it all like it was yesterday.

“We were opposite theAntiques Roadshow[on BBC One] and followedSki Sunday,” Rea recalls, with a chuckle, from his home in a village near Newmarket. “It was a wonderful time. I am so chuffed you remember it because it’s very tempting to believe that none of the current generation of players think that rugby existed before 1995. It was great fun. In our day, the game was for the players... Now, of course, the game is about entertainment.”

Rea had found great joy himself as a player, winning 13 caps forScotland. He scored a try (which features on the classic video101 Best Tries) in what is regarded as one of the greatest games ever played in the old Five Nations: Wales’ 19-18 victory at Murrayfield played in front of an estimated crowd of 90,000.

In the final round of the championship, he famously scored the last-gasp winning try in the 16-15 victory against England at Twickenham, their first in 33 years. Just a week later he starred in another victory over England, this time at Murrayfield in the centenary match to mark the first match between the two sides, at Raeburn in 1871.

Later that year Rea, whose middle names are “William Wallace”, was selected for the Lions’ historic tour of New Zealand, making 10 appearances and scoring three tries against provincial sides, with the Test side clinching the series 2-1.

Lions’ tours in those days lasted four months, and when he returned Rea, who was then working for the BBC as an administrator in Leeds – where he had played for Headingley alongside the then England captain John Spencer and Sir Ian McGeechan – retired from the game.

Chris Rea for the British and Irish Lions in 1971

He was posted to London and offered a six-month attachment to the BBC Radio sports department. The six months lasted nine years. Seeking new challenges in the media, Rea was appointed rugby and golf correspondent ofThe Scotsmanin Edinburgh but Johnnie Watherston, brother of former Scotland flanker Rory, was appointed to head up the BBC’s director and producer of rugby programmes, approached him to start doing some interviews forRugby Special,he had no hesitation in accepting. It would prove a life-changing moment, but one that ultimately ended in difficult circumstances.

“At the time, Nigel Starmer-Smith was having to do everything – he was interviewing people, he was doing the presentation from places like the ladies’ toilet at Orrell, and it was all done on a Saturday night. At the timeRugby Specialwas probably the graveyard shift, if you were working on it, you probably knew you were not going to become the BBC’s director general.

“Then Johnnie Watherston was appointed and he asked me if I would do a few interviews. One thing led to another and he asked if I would think of presenting the programme. I told him nothing would give me greater pleasure but that I won’t be doing it on a freezing Saturday night outside the clubhouse at Orrell or Harlequins or wherever, and stitching things together. Johnnie did a tremendous job persuading Jonathan Martin, who was the head of sport, that if we were going to build this programme up, it had to be studio-based, with guests, news from overseas and it had to be presented the following day.

“We had a fantastic producer called Sue Roberts who came up with brilliant ideas and features, and the programme was transformed from something pretty basic, and the audience figures started to go up and up and up.”

Chris Rea presenting Rugby Special

Rea recalls taking a call from the late Malcolm Pearce, the former newspaper wholesaler and farmer who was the benefactor that helped establish the great Bath side of the 1980s and 1990s.

“Malcolm was the start of the great Bath sides and would give players like Mike Catt and Gareth Chilcott genuine jobs and built up the team,” Rea added. “He phoned me up one day and said ‘Chris, I have got a young lad here who is definitely going to go to rugby league because he is a bricklayer at the moment. But we would love to keep him at Bath and wondered if you might be able to do something on him. His name is Jeremy Guscott.’

“I asked what his interests were and Malcolm said he was a very good-looking guy and he loved clothes. I took it to Johnnie, and he came up with the idea of bringing in the people who producedThe Clothes Showand giving Guscott a big make-over. It was hilarious. Malcolm had said that Guscott was “very shy” – how things change – so he decided to get Chilcott, who was most definitely not shy, to drive him up, and be his minder. It was like something out of the showStars in Your Eyeswhen the guests would say ‘Tonight Matthew, I am going to be…’ Guscott went off and came back a changed man, preening in this gorgeous outfit. It was one of the funniest and most successful programmes.

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“Another memorable feature took us to St Andrew’s University to do a feature with Damian Hopley, who was studying there, and Neil Back, who was an incredible athlete. Back had been told at the time that he was too small for top international honours, but his argument that extra weight would adversely affect his speed and ball-playing skills, which he expressed forcefully on the programme, won the day. They were great days.

“The days when the game was for the players, not the spectators. When Jonathan Webb, the England full-back, who had a shocker against France at Twickenham, was given a hero’s ovation at Cardiff the next week after it was revealed that he had been performing a surgical operation and had not slept for 36 hours before the French game. The players were amateurs and it was accepted that theyhad other things that occupied their lives.”

TheRugby Specialaudiences soared. When Cornwall defeated Yorkshire in the county championship in 1991, Rea says the audience forRugby Specialthe following day hit two million viewers – from a low-point of 200,000 before the overhaul – and when England beat New Zealand at Twickenham in 1993, it reached 2.2 million.

Yet by far the greatest achievement of all is the fact that for a full year of broadcasting, Rea was secretly undergoing cancer treatment having been diagnosed with bowel, liver and lymph node cancer, having been told in 1993 that he only had a five per cent survival chance within the next five years if the surgery was not successful.

“Thirty-three years ago, that was a death sentence,” he recalls. “I am only here because of a specialist bowel colorectal surgeon called Alan Wells. I underwent surgery in the Fitzwilliam Hospital in Peterborough. I had to go privately to get a certain type of chemotherapy treatment that had just come from the US and was successfully trialled there.”

Instead of a short course of chemo, his treatment lasted 52 weeks. “I said I would do it if I could keep going with the programme,” he added. “They said I wouldn’t lose what hair I had left but would put on weight. We came to an agreement that if there was any change to my physical state, then I would be the first to say, ‘this is not on.’ You can’t have someone looking like death warmed up presenting a sports programme.

“I felt dreadful every Monday and for a couple days after but by the end of the week I was okay. I put weight on because of the effect of the steroids, but nobody would have known, and that was a source of great pride.”

His treatment was ongoing when he travelled to New Zealand in 1993 for the Lions tour, which back then involved covering 13 matches over three months.

“I went off with a suitcase full of drugs and I remember thinking, ‘How am I going to work this?’ The staff at the Fitzwilliam told me that whatever town I arrived in, I had to contact the nearest hospital. I remember my first one, sitting in a pretty basic waiting room and being greeted by a trainee nurse. At the Fitzwilliam, I was treated as a star patient because no-one had ever been through the 52-week treatment. Apparently they had been using the treatment for years in New Zealand. I was staggered.”

Earlier that year Bobby Moore died of a similar condition, and even now Rea thinks about how lucky he was to survive. “I remember thinking I should have been more grateful to the Almighty, but I had an 11-year-old daughter and a family to look after, so I had to keep working.”

The elation of going into remission, however, was later replaced with the acute disappointment when he was told the following year that the production ofRugby Specialwas going to be outsourced to an independent company and that his services would no longer be required.

“I was devastated. Johnnie lost his job too. I hadn’t sought any additional support from the BBC during my illness. It was a real blow for me. I was sorry thatRugby Specialdid go downhill a bit and they took it a different way. That’s fine, you always get to the end of a success story and things need changing, but I think it was the BBC that lost interest in rugby more than anything else. It was also a result and a consequence of professionalism.”

After losing his presenting job with the BBC, he was part of ITV’s commentary team at the 1995 World Cup in South Africa, which he ranks along with England’s victory in 2003 as the two best tournaments. As rugby correspondent forThe Independent on Sunday, he also was not afraid to make a stand in the early days of professionalism, putting him at odds with the club owners by advocating former RFU chairman Chris Brittle’s unsuccessful vision for the top players in England to be offered central contracts by the RFU. He feels England are still paying the price now.

“I think that despite the fantastic resources in playing numbers and funding, I would very much doubt if England would have one player in a composite Six Nations side this season and that is terrible, really,” added Rea, who went on to work for the International Rugby Board [now World Rugby] as it head of communications.

“I say that not because I am a Scot, far from it because I have spent most of my life down here and enjoyed England’s three great sides – Billy Beaumont’s, Will Carling’s and the 2003 World Cup side. At the time Fran Cotton and Clive Woodward were fully supportive of the Brittle plan because they realised that going down the club route was always going to be a problem.

“The idea was that the clubs would retain their identity and support, but that the top players would be to the RFU and the primacy of the international game was paramount. In my view that hasn’t changed. Every time England take the field, they should be favourites, like New Zealand. They should have an aura about them. I think it is vital for the world game that England – and I say this as a Scot – are always up there. Just getting to finals is not enough. The 2003 final was compelling. It was wonderful but they have never really regained that aura of invincibility.”

Chris Rea interview: BBC cut me from Rugby Special while I was in cancer remission

“I would say they were the six of the happiest years of my working life.” The velvet voice is just as I remember it. Chris Rea may have...
Chrissy Teigen's LBD Has the Most Unexpected Teal Bubble Skirt for a Red Carpet Date Night With John Legend

Chrissy Teigen and her husband John Legend enjoyed a red carpet date night at the 2026 Gold Gala at The Music Center on May 9.

InStyle Credit: Getty

The Gist

  • Teigen wore a black strapless dress with a huge teal bubble skirt detail.

  • The pair met twenty years ago and married in 2013.

Chrissy TeigenandJohn Legendmade an appearance at the 2026 Gold Gala at The Music Center on May 9. The model and TV personality opted for an unusual avant garde look for the occasion.

Her black strapless dress came straight from the runway, having debuted in Aiste Hong's fall/winter 2026 ready-to-wear collection. It featured a minimalist corsted bodice and fitted hips, before it gave way to a huge pleated teal bubble skirt detail that ballooned out from the hips to the feet. She completed the look with open-toe black heeled sandals and a black clutch with teal detailing. Teigen, who recentlyditched her long wavesanddebuted a sharp chin-length bob, wore her cropped hair in a simple center part.

Teigen wore a black strapless dress with a pleated teal bubble skirt detail.Credit: Getty

As for Legend, he looked dapper in a white suit jacket with black piping, paired with black pants and a black bowtie.

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She completed the look with her new bob and black heeled sandals.Credit: Getty

Teigen and Legend met twenty years ago on the set of the music video for his song "Stereo," which saw Teigen playing his love interest. They married in 2013 and now share four children: Luna Simone (born April 2016), Miles Theodore (born May 2018), Esti Maxine (born January 2023), and Wren Alexander (born via surrogate June 2023).

"We've grown together as a couple," Legend recently toldPeople. “And I think being parents forces you to grow up, and it changes your priorities,” he went on. “But also, [for] all the joy we’ve experienced together, we’ve also had tragedy together and challenges together."

The pair held hands on the red carpet.Credit: Getty

Last month, Teigen made a rare appearance with her oldest daughter, Luna, stepping out for a sweet mother-daughter date atThe Daily Front Row's2026 Fashion Los Angeles Awards.

Read the original article onInStyle

Chrissy Teigen's LBD Has the Most Unexpected Teal Bubble Skirt for a Red Carpet Date Night With John Legend

Chrissy Teigen and her husband John Legend enjoyed a red carpet date night at the 2026 Gold Gala at The Music Center on May 9. Th...
Hunter Schafer Risks Wardrobe Malfunction in Fully-Shredded Top

Hunter Schaferstepped into full avant-garde mode for a new Mugler campaign video, wearing a shredded black top that looked one movement away from falling apart. The actress and model leaned completely into the label’s dramatic fashion identity, turning the barely-there outfit into a high-fashion performance.

Mandatory Hunter Schafer Risks Wardrobe Malfunction in Fully-Shredded Top

Hunter Schafer models a fully shredded top in Mugler campaign video

Take a look at Hunter Schafer going full avant-garde in a barely-there shredded outfit:

Hunter Schafer wore a black sleeveless top made from long, shredded fabric strips that hung down across her body. The gaps between the strips revealed small flashes of skin, creating a bold illusion effect that changed as she moved. The strips swayed with every step, giving the outfit a dramatic feel. The sharp, structured shoulders contrasted with the loose fabric hanging through the middle. Mugler designed the piece to feel like a mix of fashion and performance art.

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Hunter paired the shredded top with a sleek black leather midi skirt that grounded the drama of the upper half. Simple black strappy heels completed the styling, keeping the focus entirely on the silhouette and texture play happening above the waist.

Originally reported by Khushali Srivastava onRealityTea.

The postHunter Schafer Risks Wardrobe Malfunction in Fully-Shredded Topappeared first onMandatory.

Hunter Schafer Risks Wardrobe Malfunction in Fully-Shredded Top

Hunter Schaferstepped into full avant-garde mode for a new Mugler campaign video, wearing a shredded black top that looked one movement...

 

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